About Buildings + Cities
Luke Jones & George Gingell Discuss Architecture, History and Culture
6 years ago

52 — Nicholas Hawksmoor's Churches — 2/2

We conclude our discussion of the churches of Nicholas Hawksmoor in London, featuring discussion of church politics, 'the primitive church of the early Christians' and wet and windy site recordings from St George in the East, Shadwell (1714-29), Christ Church Spitalfields (1714-29), and St Mary Woolnoth (1716-27).

Sponsored by the Article Trade Program and The Great Courses Plus

Edited by Matthew Lloyd Roberts.

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6 years ago

51 — Nicholas Hawksmoor's Churches — 1/2

Nicholas Hawksmoor, born in 1661, built six churches in London between 1711 and his death in 1736. Vast, white, monumental and enigmatically detailed, the Hawksmoor churches are a looming and mysterious presence in the architectural consciousness and mythic history of London, somehow both of time and out of it. Bombed, burned, spurned by popular taste before they were even completed, they have nevertheless survived to become objects of fascination, speculation and obsession. Created on the threshold of modernity, they reach back toward an imagined (and distant) past when the Church was young, and the worship was pure.
We’ve recorded a series of observations of the churches on site, and attempted to locate them in the world of early 18th century England.
On a forthcoming bonus we’ll be exploring the fictional Hawksmoor — as time-magician, cabbalist, summoner of Egyptian gods and more. Our editor Matt Loyd Roberts has joined us for this one — 

Music is by Ketsa 'Rain stops play' from the Free Music Archive Edited by Matthew Lloyd Roberts.

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6 years ago

50 — 19th c Machine Utopias — 2/2 — Looking Backwards

The second part of our discussion of the utopias and dystopias of the late 19th century 'machine age'.

Including a discussion of Edward Bellamy's 'Looking Backwards: 2000-1887' (once incredibly famous and now almost unknown), William Morris's 'News From Nowhere: Or, and Epoch of Rest' and Charlotte Perkins Gilman's 'Moving the Mountain.'

Edited by Matthew Lloyd Roberts.

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6 years ago

49 — 19th c. Machine Utopias 1/2 — Darwin Among the Machines

We start a two-part discussion of the utopias and dystopias of the late 19th century 'machine age,' when new technology seemed to be remaking the world, and society along with it.

What sort of world would the machines bring? In this episode we discuss Samuel Butler's novel 'Erewhon' and the extraordinary speculation on machine life that it contains. We also talk about Edward Bulwer-Lytton's 'Vril' — to which it was initally (erroneously) thought to be a sequel — and Nikolai Chernyshevsky's 'What is to be done'.

Music — Chris Zabriskie 'Is that you or are you you?' from the Free Music Archive.

Edited by Matthew Lloyd Roberts.

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6 years ago

48 — OMA 1989 — Going Big

Rem Koolhaas and the firm he founded with three partners in 1975 — Office of Metropolitan Architects, OMA — are fascinating, critical and provocative presence within the architectural culture of the 1970s and 1980s, riding the wave of the crisis of modernist collapse while positioning themselves outside or against all of the main tendencies in the post-modern.

In this episode we’re focussing on a particular, transitional moment, in which the early ‘paper’ projects start to be replaced by real buildings and large scale competition entries, culminating in three fascinating competition entries from 1989 — the Zeebrugge Sea Terminal, Zentrum für Kunst und Medientechnologie (ZKM) and Très Grand Bibliothèque (TBG).

Lee Rosevere ‘Baldachin’ from the album ‘Music for Podcasts 3’ on the Free Music Archive

Edited by Matthew Lloyd Roberts.

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6 years ago

47 — Venturi Scott-Brown & Learning From Las Vegas

We continue our discussion of the theoretical works of Robert Venturi with this episode on ‘Learning from Las Vegas — The Forgotten Symbolism of Architectural Form’ — researched and written with Denise Scott-Brown and Steven Izenour, and published in 1972.

The book, which examines the architecture of the Vegas strip, is the origin of the famous ‘Duck vs Decorated Shed’ comparison, and contains a lot else besides, including denunciations of the cult of Space, praise for the ‘ugly and ordinary,’ a certain amount of ostentatiously-wielded erudition, and so on.

Music: Al Smith 'Road House' https://archive.org/details/78_road-house_al-smith-a-smith-c-carter_gbia0054635a

This episode is sponsored by The Great Courses Plus — a streaming learning service with video lectures by experts in all sorts of fields. Go to thegreatcoursesplus.com/BUILDINGS to get a month of free access to thousands of courses.

Edited by Matthew Lloyd Roberts.

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6 years ago

46 — Robert Venturi's 'Complexity & Contradiction' — Valid Banalities

For the first AB+C of 2019 we’re tackling one of the seminal texts of the 1960s, and an iconic moment in the stylistic overthrow of the postwar modernist order — Robert Venturi’s ‘Complexity and Contradiction in Architecture’ (1966). It’s a slim, lavishly illustrated volume, which seems lucid and straightforward, but upon closer reading turns out to be much more elusive. What are complexity and contradiction, where are they found, and what are architects supposed to do with them?

On the bonus we’ll be discussing the early projects of Venturi and Rauch.

This episode is sponsored by The Great Courses Plus — a streaming learning service with video lectures by experts in all sorts of fields. Go to thegreatcoursesplus.com/BUILDINGS to get a month of free access to thousands of courses.

Edited by Matthew Lloyd Roberts.

Support the show on Patreon to receive bonus content for every show.

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6 years ago

Bonus Unlocked — 44.5 — Italian Architecture Under Fascism

We're a bit late with the first episode of the new year, so I'm releasing our bonus conversation on Italian fascist architecture to tide you over until then. If you want more material like this, there's a link to the Patreon below.

We talk about the architecture of the Italian fascist period. Some of it is pretty good, unfortunately. Some of it is very weird indeed.

We cover a lot ground, including — Gino Coppedè, Giovanni Muzio, Antoni Sant’Elia, Mario Chiattone, Giuseppe Terragni , Fortunato Depero, Marcello Piacentini, Armando Brasini and more.

Music is Ottorino Respighi — Serenata per piccola orchestra

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6 years ago

45 — John Ruskin & the 19th century — Living Too Late

We finally get onto the last book of Stones of Venice, and its reverberations through the long second half of the 19th century. Young Ruskinians, EL Godwin, William Burges, William Morris and so on.

Music — Vivaldi concerto for two horns, strings and continuo in F major RV 539 pt I The Fall — Living too late

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6 years ago

44 — Giovanni Michelucci — Late Style

Giovanni Michelucci was born in 1891, and lived through nine-tenths of the 20th century, through all its terrifying and perplexing twists and dislocations. Throughout his career, his work manages to express an idiosyncratic and critical relationship to the spirit of the age. Over fifty at the end of the war, and sacked from his university job in the late 1950s for being too old, he would go on to produce his best and most daring work in the 60s and 70s.

We discuss Michelucci and Italy, fascism, post-war, and late style.

Apologies for the quality of Luke’s audio —

On the bonus, we take a longer look at the ideological tensions within Mussolini-era architecture, Giovanni Muzio, Giuseppe Terragni, and many others.

Music —
Rossini ‘Le Cenerentola’ Blackway — New Life

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