In our second episode on Zaha Hadid, we're covering the rest of the 1980s, from the competition to design the Peak Leisure Centre in Hong Kong, to the Deconstructivism exhibition at the Museum of Modern Art in New York. The episode also includes an interview with Andrew King, a principal at Lemay Architects in Canada, Professor at McGill University and winner of two AIA Progressive Architecture Awards. In the late 1980s Andrew worked in Zaha's office, and the interview gives a wonderful insight into Zaha's method and the close personal relationships she forged with people who worked for her. We want to warmly thank Andrew for his time and memories of Zaha, and also thank friend of the show Kai Woolner-Pratt for putting us in touch with him. If you want to listen to the full length interview, you can find it on our Patreon.

Make sure you check out the Zaha Hadid pinned story on our instagram to see all the images for this episode.

Edited by Matthew Lloyd Roberts.

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In our first episode on Zaha Hadid, we dive into the spell-binding work of one of the most famous, controversial and interesting architects of her generation. We begin by imagining the unique atmosphere of the Architectural Association in the 1970s, where Zaha was a student, taught by Leon Krier, Rem Koolhaas and innumerable other architectural luminaries. We examine two of her student projects, Malevich's Tektonik and A Museum for the 19th Century, both heavily influenced by an interest in Russian revolutionary avant-garde art, from Suprematism to Constructivism. We then discuss one of her earliest competition entries, the residence for the Irish Taoiseach in 1979. In the next episode we will cover her competition entry for the Peak in Hong Kong and interview Professor Andrew King, who worked at her office in the late 1980s.

The Rem Koolhaas lecture that Luke discusses in the episode can be found on the AA Lecture Archive.

Go to Instagram, and have a look at our pinned story for Zaha, which will include all the images you could desire in the correct order with captions and explanations.

Edited by Matthew Lloyd Roberts.

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In our final episode on Andrei Tarkovsky, we discuss the two films he directed after leaving the Soviet Union: Nostalghia (1983) and The Sacrifice (1986). Both films see a continued intensification of the directorial moves that Tarkovsky had been developing for his whole career: from heightened and ecstatic soundtracks to long and suspenseful shots; from close-ups of valuable objects in the mud to underdeveloped and over-emotional female characters. The films both draw heavily on the landscapes of Northern Italy and the island of Gotland in Sweden, which are rendered sublimely beautiful through Tarkovsky's unique blend of painterly compositions and disorientating surrealism. We hope you enjoyed this series on the films of Tarkovsky, next up we will be returning to architecture in the company of the inimitable Zaha Hadid!

Edited by Matthew Lloyd Roberts.

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In our second episode on Soviet director and auteur Andrei Tarkovsky we discuss his most well known film and possibly his magnum opus, Stalker (1979). The last film that Tarkovsky made whilst living in the Soviet Union, Stalker is loosely adapted from the novel Roadside Picnic by Boris and Arkady Strugatsky.

In Stalker, Tarkovsky takes decaying the post-industrial ruinous landscapes and transforms them into the mysterious 'Zone', a land full of hidden rules and invisible threats, that our trio of anguished and existentially angsty protagonists must traverse. Our characters are the Writer and the Professor, guided through the mysterious and dreamlike landscape by the eponymous Stalker. In this episode we discuss the unique artistic and technical feats that make this movie such a cult classic, and some of our quibbles with Tarkovsky's ethic.

Edited by Matthew Lloyd Roberts.

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In this first part of our new series on legendary Russian director Andrei Arsenyevich Tarkovsky we discuss his early films: Ivan's Childhood (1962), Andrei Rublev (1966), Solaris (1972) and Mirror (1975). We will also be releasing a Patreon bonus very shortly with discussions of the work Tarkovsky did whilst studying at film school, including The Violin and the Steamroller (1961).

Tarkovsky's work is greatly favoured among architects, despite not being explicitly architectural. His strange dream-like visions conjure up a unique spatial experience, with strange and often confusing materiality that hovers somewhere between a childhood memory and a disturbing nightmare. In this episode we discuss his interest in the paintings of Bruegel, the importance of faith to his work, his overpowering Oedipal complex, his run-ins with the Soviet authorities, and the artificial naturalism of his sets.

Make sure you subscribe to catch our next Tarkovsky episode, where we will be discussing Stalker (1979).

Edited by Matthew Lloyd Roberts.

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62 — Leon Battista Alberti — 2/2 — Building the Quattrocento

Having discussed his magnum opus, 'De Re Aedificatoria' in the last episode, here we discuss the curious collection of buildings that Alberti designed across Italy over the course of his lifetime. From the hulking and austere white stone of the Tempio Malatestiano in Rimini to the carefully proportioned fine marble inlay of the Santa Maria Novella in Florence, these buildings have a unique feeling, that reflects the idiosyncratic interests of Alberti in conjuring the authentic mood of Classical Architecture, within the confines of his rigid understanding of proportion and geometry. These moments of strangeness are heightened by the incomplete nature of much of the work, and his own distance from the construction process, most of which he directed by letter. Make sure you check out the pinned story on our instagram for this episode, where you will find lots of high quality images of the buildings we're discussing.

Edited by Matthew Lloyd Roberts.

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In this first episode of a two parter, we tackle the original big beautiful bouncing boy of the Italian Renaissance, Leon Battista Alberti, and his 1485 blockbuster publication, On the Art of Building in Ten Books. After Vitruvius' original Ten Books, De Re Aedificatoria represents only the second explicitly architectural treatise in the history of Western Architecture. Alberti's work covers everything you'd need to start building and much more, including: sacrificial animal murder; mysterious gases that leak from the ground; how best to control a mob; endless quotations from Classical sources and some ruminations on the nature of beauty. We also discuss the historical context of Renaissance Italy, Florentine class-warfare shenanigans and the many strange and unexpected twists and turns of this enigmatic cornerstone of the canon. In the second episode we will be discussing Alberti's buildings!

Edited by Matthew Lloyd Roberts.

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In our second and final episode on Reyner Banham, we discuss his pivot to Los Angeles, his love affair with Archigram, his theories of Megastructure, and his later projects on American industrial vernacular ('Concrete Atlantis') and his unpublished book about the High-Tech movement.

After his support of the Smithsons and the 'New Brutalism' Banham was next renowned for supporting and publicising the work of English paper-architecture utopia-envisioners Archigram. We discuss Archigram, their lack of built fabric and the potentials of ecstatic 1960s techno-optimism. Banham's most iconic work is probably his 1972 documentary 'Reyner Banham Loves Los Angeles' and we discuss the documentary, Banham's idiosyncratic presenting style, as well as his blind spots around race, class, and the un-freedom of bottomless consumption. You will hear a series of clips from the documentary scattered through the episode. We also reflect on Banham's legacy, the revival of his reputation, and the difficulties of techno-optimism in the face of the climate crisis.

Edited by Matthew Lloyd Roberts.

Support the show on Patreon to receive bonus content for every show. The next bonus episode will be discussing the ropily-acted Sci-Fi cult classic 'Silent Running' in all its Banham-ite glory.

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As requested by the listeners, part one of a two parter on Reyner Banham!

Banham was an architectural critic, historian, scenester and prophet of the future, with a flair for iconoclastic and pugilistic writing. In this first episode we discuss his background in Norwich and his studies at the Courtauld Institute under Nikolaus Pevsner, where he wrote his PhD on the history of the modern movement. We then consider his involvement with 'The Independent Group' at the Institute of Contemporary Art, his support for the 'New Brutalism' of Alison and Peter Smithson, and his role in British architectural culture.

Central to the development of Banham's project was his obsession with technology and his growing fascination with the potentials of American consumerism and the ways it might change architecture. We conclude with his ecstatic vision of the mechanical pudenda of technological architecture, in his first visits to America and his plastic bag homes.

Here are the key Banham texts we discussed in this episode:

PhD thesis (later to be published as Theory and Design in the First Machine Age)

'School at Hunstanton, Norfolk' Architectural Review, September 1954

'The Machine Aesthetic' Architectural Review, April 1955

'Vehicles of Desire' Art, September 1955

'The New Brutalism' Architectural Review, December 1955

Theory and Design in the First Machine Age, 1960

'The History of the Immediate Future' RIBA Journal, May 1961

'What Architecture of Technology?' Architectural Review, February 1962

'A Clip-On Architecture' Design Quarterly 63, 1965

'A Home is Not a House' Art in America, Vol. 2 1965

Edited by Matthew Lloyd Roberts.

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In our final episode on Reactionaries, we explore the politics and theory that underpinned the reactionary rejection of Modernism in the 70s and 80s. We discuss Prince Charles' architectural interventions and the theories of our future king's favourite architect, Leon Krier (and Krier's problematic fave, Albert Speer). We also dive into the hotbed of Trad theorising, Peterhouse College Cambridge, and its two favourite sons, architectural historian David Watkin and philosopher Roger Scruton. We explore the framing of traditionalist theory against modernist hegemony, and ask if the architectural consensus of the 21st century is a bit more Trad than some advocates would admit.

We also dip our toes into the culture war, and ask questions about the political connotations of architectural style in the age of social media. Is an obsession with style actually holding us back from confronting the real social, economic and political problems that ail the city? Ultimately, we lament the destruction of good architecture of any style, with a poignant reflection on the proposed fate of the Aton Estate in Roehampton

Edited by Matthew Lloyd Roberts.

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