In our second episode on Monasteries we're talking about Carthusians, millenarian religiosity, the co-option of radicalism by the mainstream, baroque splendour, Slow TV, retirement bungalows and whether Jesus owned the shirt on his back. In this episode we attempt to delve into the way that monastery buildings facilitate true Monastic obedience, and the way that different typologies of monastic domesticity might reflect different priorities in their orders. We also question how the Church harnessed the radical and dangerous power of popular religiosity by co-opting some movements into the status quo, such as the Franciscan Order, whilst burning countless Cathars and Waldensians as heretics.

For more on these themes, catch our latest bonus episode on Umberto Eco's 'The Name of the Rose'. Another Patreon Bonus on Dominican heretic Tommaso Campanella's psychedelic and monkish Utopia 'The City of the Sun' will be out very soon.

You can watch the documentary we mention about a Carthusian Monastery 'Into Great Silence' on YouTube

Edited by Matthew Lloyd Roberts.

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In this new 3 part series we’re trying something a little bit different, we’re going to try and think about the monastery from deep time up to the present day. The monastery is an almost unique architectural typology; in its continuity, the specificity of the brief and its legacy and afterlife. In this first episode we discuss the origins of the monastery, and the conflict that arises between differing visions of monastic life in 11-12th century France. What role should architecture, art, sculptural decoration, gold, marble and jewels play in the life of a monk sworn to poverty? How can the architecture and style of monasteries give voice to the ideologies of the monastic orders that live in them? We will be thinking about the afterlife of monasteries in the fervent imagination of modernism in later episodes.

Make sure you visit our pinned instagram story to see images of the amazing buildings we are discussing.

This episode is sponsored by Blue Crow Media, who publish lushly designed architectural maps of cities all over the world, from brutalist Sydney to Art Deco New York. Use the offer code aboutbuildings to get 10% off if you buy before the end of August.

Edited by Matthew Lloyd Roberts.

Support the show on Patreon to receive bonus content for every show. For this episode we will very shortly be releasing a Patreon bonus on Umberto Eco's post-modern genre mashup 'The Name of the Rose'.

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In our second episode on Christopher Alexander, we discuss 'A Pattern Language', the book he wrote with Murray Silverstein and Sara Ishikawa, published in 1977. The text proposes a list of patterns, derived from experience, imagination and vernacular traditions, from the scale of the city to the balcony and the flowerbed. The text has been influential on many professions, from architects to computer programmers, and its blend of universal claims, spatial analysis, political idiosyncrasy and design logic makes it a unique and intriguing piece of theory. We then discuss some of Alexander's buildings, which we admittedly have not been to visit, but generally we find them to be somewhat wanting!

Edited by Matthew Lloyd Roberts.

Support the show on Patreon to receive bonus content for every show. Check out our most recent bonus on the debate between Christopher Alexander and Peter Eisenman at Harvard in 1982.

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<img alt="Picture of Alexander's Sala House" src="https://pbs.twimg.com/media/EcyqtGiWkAEMrgH?format=jpg&name=900x900" title="Sala House" />

<img src="https://pbs.twimg.com/media/EcyqtGiWkAEMrgH?format=jpg&name=900x900" alt="Sala House" title="Sala House" width="900" height="900" />

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This is the first episode of a new series on Design Theorist, Architect, Mathematician and Computation Fan, Christopher Alexander. Alexander studied Mathematics at Cambridge University in the 1950s, then undertook the first ever PhD in Architecture at Harvard, where he applied newly emerging ideas of computational analysis to questions of design. The results of this combination are bizarre, often illogical, undeniably of there time, but also lay the foundations for much subsequent interaction between design and computation, including the Parametricism that we discussed in our last series on Zaha Hadid. In this first episode we mainly discuss his 1964 work Notes on the Synthesis of Form, which was based on his PhD thesis. Make sure to subscribe to catch the next episode, where we will discuss his 1977 work with Ishikawa and Silverstein, Pattern Language.

Edited by Matthew Lloyd Roberts.

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In this final episode on Zaha Hadid we discuss a small fraction of the huge number of projects that ZHA produced from the early noughties up to Zaha's untimely death in 2016. We attempt to reflect on Zaha's legacy as a designer, try to understand what concepts defined her design process, from Parametricism to pure sculptural form. There are so many projects from this period that we could have talked about, so we focus on discussing the most

Projects discussed: Maxxi Museum in Rome, Ordrupgaard Museum Extension in Denmark, Phaeno Science Centre in Wolfsburg, the Kartal Masterplan proposed for Istanbul, Bergisel Ski Jump and the Nordpark railway stations in Innbruck, the London Aquatic Centre built for the 2012 Olympics, the Library at the University of Economics in Vienna, Dongdaemun Design Plaza in Seoul, the SOHO projects in Beijing and the King Abdullah Petroleum Studies and Research Center in Saudi Arabia.

Pictures of all these projects will be on our pinned instagram story titled 'Zaha 4'.

The site recording at the London Aquatics Centre will be published in full on our Patreon, which you can access for just $3 a month.

Edited by Matthew Lloyd Roberts.

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The third part of our ongoing series on Zaha Hadid! In this episode we discuss the early buildings of the practice, including IBA housing in Berlin, Vitra Fire Station, Spittelau Viaduct Housing, and the unbuilt competition winning design for the Cardiff Opera House. As always, make sure you check out our pinned instagram story to see pictures of all of the projects we discuss. Thanks for listening!

Edited by Matthew Lloyd Roberts.

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UNLOCKED PATREON BONUS

This unlocked bonus episode comes from our Patreon feed, where we post extra content and bonus discussions with every episode of the podcast. This bonus follows on from Episode 48, discussing the early projects of OMA and the theory of BIGNESS developed by Rem Koolhaas. If you want to access many hours of bonus material like this, you can subscribe to our Patreon for just $3 a month at www.patreon.com/about_buildings.

Our series on Zaha Hadid will continue next week.

Edited by Matthew Lloyd Roberts.

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In our second episode on Zaha Hadid, we're covering the rest of the 1980s, from the competition to design the Peak Leisure Centre in Hong Kong, to the Deconstructivism exhibition at the Museum of Modern Art in New York. The episode also includes an interview with Andrew King, a principal at Lemay Architects in Canada, Professor at McGill University and winner of two AIA Progressive Architecture Awards. In the late 1980s Andrew worked in Zaha's office, and the interview gives a wonderful insight into Zaha's method and the close personal relationships she forged with people who worked for her. We want to warmly thank Andrew for his time and memories of Zaha, and also thank friend of the show Kai Woolner-Pratt for putting us in touch with him. If you want to listen to the full length interview, you can find it on our Patreon.

Make sure you check out the Zaha Hadid pinned story on our instagram to see all the images for this episode.

Edited by Matthew Lloyd Roberts.

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In our first episode on Zaha Hadid, we dive into the spell-binding work of one of the most famous, controversial and interesting architects of her generation. We begin by imagining the unique atmosphere of the Architectural Association in the 1970s, where Zaha was a student, taught by Leon Krier, Rem Koolhaas and innumerable other architectural luminaries. We examine two of her student projects, Malevich's Tektonik and A Museum for the 19th Century, both heavily influenced by an interest in Russian revolutionary avant-garde art, from Suprematism to Constructivism. We then discuss one of her earliest competition entries, the residence for the Irish Taoiseach in 1979. In the next episode we will cover her competition entry for the Peak in Hong Kong and interview Professor Andrew King, who worked at her office in the late 1980s.

The Rem Koolhaas lecture that Luke discusses in the episode can be found on the AA Lecture Archive.

Go to Instagram, and have a look at our pinned story for Zaha, which will include all the images you could desire in the correct order with captions and explanations.

Edited by Matthew Lloyd Roberts.

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In our final episode on Andrei Tarkovsky, we discuss the two films he directed after leaving the Soviet Union: Nostalghia (1983) and The Sacrifice (1986). Both films see a continued intensification of the directorial moves that Tarkovsky had been developing for his whole career: from heightened and ecstatic soundtracks to long and suspenseful shots; from close-ups of valuable objects in the mud to underdeveloped and over-emotional female characters. The films both draw heavily on the landscapes of Northern Italy and the island of Gotland in Sweden, which are rendered sublimely beautiful through Tarkovsky's unique blend of painterly compositions and disorientating surrealism. We hope you enjoyed this series on the films of Tarkovsky, next up we will be returning to architecture in the company of the inimitable Zaha Hadid!

Edited by Matthew Lloyd Roberts.

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