About Buildings + Cities

Leaving the waste-strewn Earth behind, we follow the team on their run all the way to its conclusion in orbit. On the way, we cast our eyes over the weed-smelling shanty-hulk of Zion, the sunlit Condé Naste-styled resort-perfection of Freeside, and the gloomy, Victorian-styled warren of the Villa Straylight. Fewer mattresses, more carpets.

Music – ‘Heliograph’ ‘CGI Snake’ ‘Wonder Cycle’ and ‘Oxygen Garden’ from the album ‘Divider’ by Chris Zabriskie – from the Free Music Archive

Outro – Hypnosis ‘Pulstar’(1984)

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We’re back in dystopia, soaking up the glamour, danger and decadence of the cyberpunk city. We’re reading William Gibson’s seminal science fiction novel Neuromancer (1984), which combines the pace of a thriller with a vivid and almost archaeological view of the technological and material fabric of the near future city – glue, chipboard, broken TVs, epoxy resin, dirty water, and a strange profusion of foam mattresses. Gibson has spoken about the city as a ‘compost heap’ – and we’re sifting through it alongside Case, Molly, Armitage, the AI Wintermute, and the rest of the misfit expedition – and considering Noir, technology, desire, fear of the suburbs, and the vast consensual hallucination you’re plugged into right now.

Some topics – – Chiba – Kowloon walled city – White flight – Noir – Paris review…

During the 1960s and 70s, the French architect Jean Renaudie designed and built a series of projects in which he attempted to upend the staid and formulaic model of postwar slab-block mass housing. Architecture, for Renaudie, had to acknowledge and enshrine human being's 'Right to Difference'.

But this didn't mean discarding the achievements or social ideology of modernism – rather, as part of a wider European project of dissent, critique and reformation, he formulated his own daring formal solution to the problem of uniting the needs and image of the individual with those of the collective.

And how did he do it? Well, for a start, the rooms are mostly triangular…

We discussed – …

A fuzzy empire of blur, a low grade purgatory, a perpetual Jacuzzi with millions of your best friends…

We're discussing Junkspace (2001), Rem Koolhaas's notoriously elliptical wander through the dystopian and formless morass of early 21st retail architecture that seems gradually to be devouring the city, and the world.

In keeping with the essay, the episode is radically unstructured, only barely makes sense, and is held together largely by hyperbole.

We discussed – – Rem Koolhaas and OMA – The books SMLXL and Delirious New York – Exodus: The Voluntary Prisoners of Architecture – Frederic Jameson's review of Junkspace in NLR 21 (2003) – Jameson's Postmodernism, Or the Cultural Logic of Late Capitalism (1991…

Michelangelo’s incredibly long career meant that he was old for a very long time, and the idea of death, and of what comes afterwards, hang over many of the projects he worked on late in life. We discuss his pivotal role in the design of St Peter’s in Rome, the sombre and terrible ‘Last Judgement’ in the Sistene Chapel, and a series of fragmentary late drawings, designs and sculptures which seem to be pointing to the future and the past at the same time.

It’s been about four hours of solid Michelangelo now, and it’s time to send him (and the other cast of characters) into the tender arms of our Lord & Saviour. It'll be back to late Capitalism next time.

Please let us know what you think – tweet us @about_buildings or email…

We continue our discussion of the architecture of Michelangelo Buonarotti with an exploration of two of his most important projects – the Laurentine Library, in which his sculptural understanding of form and mass is most powerful and disconcerting – and the Piazza del Campidoglio, an urban ensemble which would become a definitive reference for the idea of civic space.

In between George extemporises for about 20 minutes on late medieval Italian history despite having done no research, and we dip into the memoirs of Benvenuto Cellini.

Music – Tielman Susato (c. 1490-c. 1560)- Pavane - ''The Battle'' from Gothic and Renaissance Dances at https://archive.org/details/GOTHICANDRENAISSANCEDANCES Koto ‘Chinese Revenge’ (1982) …

The first of a three-parter in which we try to understand the work, and myth, of Michelangelo Buonarroti, referred to by followers as ‘the Divine’, and genuinely described by his biographer as a messenger sent from God to stop people from doing bad art.

It’s a long recording and we may have spent a bit too long talking about the ‘New Sacristy’ in Florence. But the 15 minute, rhapsodic description of David’s perfect body?

We regret it Not At All.

Some slightly excessive chat about a particular part of David's body but otherwise extremely wholesome.

Music – GF Handel’s ‘Unto us a son is born’ ‘Kyrie Chant’ from Cantores in Ecclesia on archive.org https://archive.org/details/CantoresInEcclesia/05Track5.wma …

The second part of your discussion of Ayn Rand's extremely long fantasy about the 'ideal man' and the buildings he makes. The book gets weirder and more political as it goes on, and we meet Rand's Mary-Sue character, the long-suffering helmet-haired ice princess Dominique Francon.

All these things make the book worse.

Features music by Chris Zabriskie – 'Heliograph' from the album 'Divider', 'We always thought the future would be kind of fun' from the album 'The Dark Glow of Mountains' and 'Cylinder 3' from the album 'Cylinders'. and by MMFFF – 'Meeting the Demon' from the album 'The Dance of the Sky' All at the Free Music Archive

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This isn't one of those book reviews where you're expected to read the book first – we did it so you don't have to.

Ayn Rand's 'The Fountainhead' is a 750 page long novel which at times is physically painful to read. It's a supposedly 'philosophical' book in which none of the motivations and actions of the characters make any sense. People have long conversations which are nearly impossible to follow. Rand maunders on about apparently random bits of mise-en-scene for pages. Even if you were going to live for a thousand years, it would still be an outrageous misuse of your time.

In spite of this, it's probably the most successful and influential depiction of an architect in fiction – the indominatable will of one (orange haired) man, Howard Roark, pitted…

The second half of Aldo Rossi's career. We discuss his role on the ushering in of the age of po-mo, a few selected monstrosties, and do listener correspondance (one email – that's how easy it is to get read out).

Music includes: ‘Β15’ and 'B16' from the album ‘ΝΕΑ ΕΛΛΗΝΙΚΑ ΚΟΚΚΑΛΑ’ by Kοκκαλα, from the Free Music Archive at freemusicarchive.org